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Quincy: A Documentary Review, Analy Cruz 2020 University of the Pacific

Quincy: A Documentary Review, Analy Cruz

Backstage Pass

81818app手机版下载This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.


Amy: A Film Review, Lucas Dehner 2020 University of the Pacific

Amy: A Film Review, Lucas Dehner

Backstage Pass

81818app手机版下载A review of the 2015 documentary film, Amy.


Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino 2020 University of the Pacific 81818app手机版下载

Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino

Backstage Pass

81818app手机版下载No abstract provided.


Bohemian Rhapsody: A Film Review, Ailey Butler 2020 University of the Pacific

Bohemian Rhapsody: A Film Review, Ailey Butler

Backstage Pass

81818app手机版下载This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.


Metallica: Some Kind Of Monster Film Review, Ceara J. Costa 2020 University of the Pacific 81818app手机版下载

Metallica: Some Kind Of Monster Film Review, Ceara J. Costa

Backstage Pass

This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.


A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton 2020 University of the Pacific

A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton

Backstage Pass

The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.


Rock Of Ages Film Review, Sarah Werth 2020 University of the Pacific 81818app手机版下载

Rock Of Ages Film Review, Sarah Werth

Backstage Pass

81818app手机版下载This is a critique of the 2012 musical film, Rock of Ages.


Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield 2020 University of the Pacific

Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield

Backstage Pass

This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.


Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal 2020 University of the Pacific

Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal

Backstage Pass

This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.


The Big Payback Book Analysis, Isaiah Smith 2020 University of The Pacific 81818app手机版下载

The Big Payback Book Analysis, Isaiah Smith

Backstage Pass

This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.


The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr 2020 University of The Pacific 81818app手机版下载

The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr

Backstage Pass

This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!


Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone 2020 University of the Pacific 81818app手机版下载

Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone

Backstage Pass

No abstract provided.


From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong 2020 University of the Pacific 81818app手机版下载

From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong

Backstage Pass

No abstract provided.


Spotify Vs. Apple Music, Lexi Gerbino 2020 University of the Pacific

Spotify Vs. Apple Music, Lexi Gerbino

Backstage Pass

A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.


Female Representation In U.S. Music Festivals, Kortney Burton 2020 University of the Pacific

Female Representation In U.S. Music Festivals, Kortney Burton

Backstage Pass

81818app手机版下载No abstract provided.


Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow 2020 University of the Pacific

Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow

Backstage Pass

81818app手机版下载No abstract provided.


Letter From The Editor, Keith Hatschek 2020 University of the Pacific

Letter From The Editor, Keith Hatschek

Backstage Pass

81818app手机版下载No abstract provided.


2020 Icrcc Proceedings Table Of Contents, Conference Organizers 2020 University of Central Florida

2020 Icrcc Proceedings Table Of Contents, Conference Organizers

International Crisis and Risk Communication Conference

81818app手机版下载These proceedings are a representative sample of the presentations given by professional practitioners and academic scholars at the 2020 International Crisis and Risk Communication Conference (ICRCC) held March 9-11, 2020. The ICRCC is an annual event that takes place the second week in March in beautiful sunny Orlando, Florida. The conference hosts are faculty and staff from the Nicholson School of Communication and Media. The goal of the ICRCC is to bring together prominent professional practitioners and academic scholars that work directly with crisis and risk communication on a daily basis. We define crisis and risk broadly to include, for ...


Wlbz Radio Station Records, 1926-2015, Special Collections, Raymond H. Fogler Library, University of Maine 2020 The University of Maine 81818app手机版下载

Wlbz Radio Station Records, 1926-2015, Special Collections, Raymond H. Fogler Library, University Of Maine

Finding Aids

WLBZ began as a "hobby" radio station in 1921. Regular broadcasting began in 1922. The first official licensed broadcast was made from a chicken coop on December 30, 1926 in Dover-Foxcroft. The station moved to Bangor and was purchased by Acton Communications in 1978 and became WACZ. In 1983, the station became WZON when it was acquired by Stephen and Tabitha King.

The collection includes administrative and marketing-related documents dated 1926 through the 1970s. Photographs and publications also document the station's history. A bulk of the records are station traffic logs dating 1931-1957, providing information about programming, promotions, music ...


Radio Vs. Streaming Services: Exploring How Radio Is Facing Competition, Kyra L. Allen 2020 University of Central Florida

Radio Vs. Streaming Services: Exploring How Radio Is Facing Competition, Kyra L. Allen

Honors Undergraduate Theses

With the increasing number of online streaming services available in the world, it is astounding to note how radio is still around maintaining excellent ratings and listener interaction. It is essential to analyze the media industry, and while there are many outlets a person is capable of accessing music, people still turn to their local radio. The literature indicates how the business of radio still exists with the primary competition of today.

The study includes interviews from twelve radio professionals at Cox Media Group (CMG) Orlando, the home of seven different format radio stations. All interviewees hold a range of ...